I’ve been complaining of how hard of a life I’m having lately. I keep waking up sobbing and that sets my days off for deep sadness. Keep having the nightmares. I think those are tied closely to my anxiety because of the way I feel when I’m waking. I’ve tried turning things over to God, have let many things go, have chewed my nails off. Nothing seems to help.
This happens in life. We know this. And when you’re a writer (or anyone for that matter) you need support. People who sorta know what you’re going through, pull their part of the weight, listen to you, request to read your work, say, “I’ll pray for you.”
I may have already said this, but as forgetful as I am, I can’t remember (I feel I may have).
Thank you Cheryl and Brenda.
Every week–early–these two beautiful, busy, kind, good and caring women send a hint for Thursday.
I’m not so sure I’ve told you what a relief it is not having to worry about posting a couple days a week. You all have helped me so much.
You always send your posts. Many times you check in on me.
Your comments are always excellent and I learn from them each week.
Everyone should have the Brendas and the Cheryls in their lives. And we each need to be aware when we should be a Brenda or a Cheryl, too.
Our trip to “see family” in Alabama will close this coming week. My husband’s family has always had what they call “Sloppy Luck.” To explain: Herb’s brother was coming to their sister’s house to celebrate Mother’s Day with their 88-year-old mother who lives with sister and her husband. His vehicle broke down on one of the major BUSY thoroughfares in Birmingham. A nephew happened to be going in the opposite direction — 8 lanes away — yet managed to turn around and go help him push the car off to the side. Another relative happened to have a tow truck available, and went and picked up the car later. We were already at “Mom’s,” so Herb went to pick his brother up — easy to find because he was only about 2 stop lights away from the motel we’re staying in. “Arnold Sloppy Luck” at work.
While we’ve been here Herb’s sister, a yoga instructor, has had her rotator cuff (which was operated on just before we arrived) checked out: it’s doing well. The power went out at sister’s place a couple of night’s later, and the power company couldn’t find where the fix was needed. Sister knew, directed them, and the power was restored in the middle of the night. Before morning, Mom got out of bed, fell and broke her leg: AFTER the power was restored, so they were able to find and get medical help out there and transport her to a hospital — without the power restored, it would have been SO much more difficult. Plus, we’ve been here to visit Mom, give rides & support to brother, support family, instead of being thousands of miles away. “Arnold Sloppy Luck” again.
You probably can’t use their “Arnold Sloppy Luck,” (maybe they’ve already got the name as a franchise of some kind), but why not “Johnson Sloppy Luck,” “Weinstein Sloppy Luck,” or “Bronsen Sloppy Luck” in your story? What “Happy Coincidences” might spark up a scene, a character, an event? And HOW do you keep it from seeming all TOO coincidental?
This is the way life IS in the Arnold family !
Earlier this week, a friend and I had a “spirited debate” about whether a story was plot-driven or character-driven.
My opinion (or, you might say, the correct opinion, hee hee) was that it was plot-driven when it should have been character-driven. Events happened to the character that forced him to react in the only way anyone would. Yes, many acts required intelligence, bravery, and an ability to deceive. But the character never grew or changed. Even the romance developed as a natural consequence to the plot, and the main character never showed any real emotion or desire to be in the relationship.
It isn’t enough to focus your entire story on the actions of one character. The story needs to follow the inner growth of the character, the character should not simply change because of external influences. Do not allow your character to be a Mr. Potato Head, with the outside emotions changing but nothing happening at the core.