Category Archives: Exercises

Writing a Book together: Questions, Questions, Questions

What does this new main character of mine want?

If I add another character will that complicate things in a good or bad way?

What is my emotional connection to this book?

Am I following the original feeling of the novel? (Meaning, I want to write a romance. Is that where I’m still headed?)

How can I make this story original?

Is the voice fresh?

Do I love the characters I’m developing?

Will anyone care?

Will I care the whole novel through?

What is the most important thing I think will happen?

How is tension?

Is my main character real?

Are these first pages strong or do they need to be cut.

Have I started in the right place?

Am I already backstory?

HINT: Give yourself ten minutes each morning to think about things that COULD happen in your novel. Even crazy stuff: main character boards a pirate ship. Allowing yourself to dream past exactly what’s on the page can help you move out of where you are and into new and exciting waters. No pirate pun intended!

 

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Writing a Book Together: An Opening Line Every Day of January and February

So what’s happened since last week? Have you gotten a first line? Found a way to start this new adventure? Has anyone stepped out of the dark, taken your hand and led you toward a novel that feels to have lots of promise?

I have an exercise I’ve shared here about opening lines. It’s one I do every few months. For thirty days, every day, I write a first line to a new novel. Every time I start  I think, “This time it will be easy.” And every time I find out an opening line is hard.

Why? The more days I play with openings, the harder they become. I realize I need to think more about characters–where they are in their lives, their situations, who they are. I worry over what would be the best line for that person I’m writing this book about.

These are not throw-away words. They need to mean something to me.

At the beginning of last year I played this game with myself and came up with more than a month’s worth of first lines, including this one: “When Momma finally died, me and my sisters weren’t surprised.” This line came several days into the exercise, but as I kept writing , day after day, it called to me. I listened.

Last November or so I finished the book about three sisters who lose their mother on page two of the novel. It’s now on submission. Here’s a bit of the synopsis:

“Momma is dying and Mister Paisley wants the land Iris, Ella, and Rory have grown up on.

It’s 1960-something and death isn’t the only thing complicating life for the Flynn girls. Daddy is gone and has been since before Rory’s birth. There are unwanted evening guests who creep around the house, angels who tap at the windows, and the meadow is dangerous to all, including the girls, after dark.”

Here’s a first line Ann Dee came up with when we were teaching a workshop class together:

“My dad ate an airplane one bite at a time.” We’re almost done with the novel. Don’t ask us what we’re doing. We have no idea.

Here’s what I do know about first lines–they have to have enough promise, intrigue, worry, feeling and wonder that you, the writer, can keep going.

So let’s do this together. For the rest of January and all of February come up with a line for a new novel every single day. I write my lines in pencil on a large blank calendar. For me, it’s an easy way to see my progress. HINT: I find I actually end up with more than one sentence. So write small if you choose to do the challenge this way. ANOTHER HINT: If you find you have an emotional connection to your line, this may be the book you want to follow.

PS My daughter just gave me my first line for my novel. It’s from her own life and she texted me this earlier: He wants me to dust the plants. All the plastic plants.

I think I now have a story.

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Exercising Your Character

“The best index to a person’s character is how he treats people who can’t do him any good, and how he treats people who can’t fight back.” Abigail Van Buren

  1. How does your main character treat others?
  2. Choosing three other characters in your book, decide how they really are, by the way they treat people they know.
  3. By the way they treat strangers.
  4. How does your MC feel about animals? Why?

“Whoever is careless with the truth in small matters cannot be trusted with important matters” Albert Einstein

  1. Does your character lie? Why or why not?
  2. What would happen if she did lie? How would the story be more compelling?
  3. What is the worst thing your character could do? Why is this the worst?
  4. Write a scene where your character lies, and is caught, by someone who is important to her.
  5. Do only the *bad* people lie in your book?

 

“If ye love me, keep my commandments.” Jesus

  1. I think another way of saying this is, Actions speak louder than words. How does your character show her love? Her commitment? Her anger?
  2. Write a scene where your character harms someone by her actions.
  3. Our bad characters cannot be purely evil. How is your antagonist good?

 

“Nearly all men can stand adversity, but if you want to test a man’s character, give him power.” Abraham Lincoln

  1. Your MC ends up with information she shouldn’t have. What does she do with it?
  2. All characters must have weaknesses. What are your character’s weaknesses?
  3. There should be a point, in every character’s growth, when they realize they have all the power, or none of it. What happens to your character when they hit this place in the book?
  4. If you MC realizes she is more like the bad guy than she thought, well, that can be very interesting. Write a scene where your MC comes up against the darker part of herself.

 

 

 

 

 

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The Vehicle of Character

I love a good character. Who doesn’t?

Guardians of the Galaxy. The guy Chris Pratt plays. Hilarious. He makes me laugh. A little off balance in the way he attacks trouble–more human than Star Lord. I go along for the ride. Plus, he’s cute.

Worf in Star Trek. He was one tough cookie. And that voice! Saw Worf without his makeup and realized I was in love with the Klingon, not the human who played him.

Heath Ledger’s Joker. So crazy. So strange. So weird. Not a thing like me. I’m interested.

How do you make YOUR character interesting? How do you choose who will be the lead in your novel? Could any character you’ve written be the lead in any novel you’ve written?

  1. Who are five of your favorite movie characters? List why you like them.
  2. Who are five of your favorite book characters? List why you like them.
  3. How do you discover a new character?
  4. How much of you is in your MC?
  5. What are your character’s weaknesses?

It’s hard to read a novel with an unlikable character. How do you make that character worth following?

  1. Humor. Make her funny. Write a scene where we get to know your main character as she gets out of an awkward situation.
  2. Make her want something that’s important. Write a scene where the character’s desire is revealed.
  3. Make your character relatable. “I get that!” “How do you know how I feel?” “I’ve been there.” When we connect with a main character, we’re interested in sticking around. Write a list of 50 things about your main character. Now do that for each of your other major players. Think outside the box. Think backstory. Think, “Who is she, really?

Let your character want something.

  1. What does your character want?
  2. How do you establish this at the beginning of the book?
  3. How do you keep your character from getting what she wants?
  4. Is her desire reasonable?
  5. Will she fail? Why or why not?

Let your character love.

  1. If your character cares and we see it, we can feel the emotion of the book. So, who does she love?
  2. Who will she lose?
  3. Who does she hate?
  4. Who could she live without?
  5. How does that antagonist fit in the story?

 

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