(Are these titles bringing in more readers?)
(Can you believe we are at #36?)
Emotion grounds our reader in such a way that the reader should be changed at the end of the book. It is our duty, as writers, to allow the reader to feel. We do that by putting emotion on the page.
Once, many years ago, I asked a few amazing writers, how they put emotion on the page so that their books rang true-so they felt like real life. Jerry Spinelli said this:
“You need to experience that emotion yourself. You don’t have to be experiencing it as you’re actually writing, but you need to be able to tap the keg where the memory of it resides and, so far as you are able, relive it.”
Martine Leavitt gave me this advice: “Create a powerful story, and you will create powerful emotion. Novice writers sometimes try to spoonfeed their readers the emotion they want them to feel, but language has the great knack of diminishing emotion. Put an emotion into words and you will undoubtedly drain it of power. All you must do is write a great story, a story full of love, honor, pity, pride, compassion and sacrifice (Faulkner’s six), and your reader will feel every emotion you want her to feel.”
David Gifaldi answered the question this way:
“For me, emotion comes only when I have become close enough to the character
to feel what he/she feels at every turn in the story.”
List important events in your story.
What do you feel as you write these parts?
How do you want your reader to feel?
How does your character feel?
Are you getting the emotion across?
How can you de better?
Do you have Faulkner’s six in your story?
Do you know how your character feels at every turn?
Are you tapping into your memory keg?