- I am reading Fahrenheit 451. For the first time. And quite liking it. I’m not sure if I’m surprised by this. My sister loved Ray Bradbury as a kid (she always out-read me). She read Stephen King, Tolkien and Bradbury long before I did. I was stuck in Steinbeck, Faulkner and Twain.
This summer I’m reading a lot. A lot more than I have since school
What have you read recently that you’ve loved?
What have you read that you missed out on as a kid or teen?
What is a favorite book that I should read?
- I am gathering books for the Hopi Reservation. If you would like to donate, please email me at firstname.lastname@example.org. These books must be gently used or new. I just looked up at my shelf and saw several novels I will never read again. It’s time to let those go. I have space only for the ones I want to keep forever. Or, maybe not space, but you know.
- In August, Ann Dee and Kyra and I might be having a writing marathon again. It’s been awhile. Will let you know as we get closer. If you are interested in playing a long, let me know.
Tag Archives: William Faulkner
(Are these titles bringing in more readers?)
(Can you believe we are at #36?)
Emotion grounds our reader in such a way that the reader should be changed at the end of the book. It is our duty, as writers, to allow the reader to feel. We do that by putting emotion on the page.
Once, many years ago, I asked a few amazing writers, how they put emotion on the page so that their books rang true-so they felt like real life. Jerry Spinelli said this:
“You need to experience that emotion yourself. You don’t have to be experiencing it as you’re actually writing, but you need to be able to tap the keg where the memory of it resides and, so far as you are able, relive it.”
Martine Leavitt gave me this advice: “Create a powerful story, and you will create powerful emotion. Novice writers sometimes try to spoonfeed their readers the emotion they want them to feel, but language has the great knack of diminishing emotion. Put an emotion into words and you will undoubtedly drain it of power. All you must do is write a great story, a story full of love, honor, pity, pride, compassion and sacrifice (Faulkner’s six), and your reader will feel every emotion you want her to feel.”
David Gifaldi answered the question this way:
From William Faulkner:
“I would say to get the character in your mind. Once he is in your mind, and he is right, and he’s true, then he does the work himself. All you need to do then is to trot along behind him and put down what he does and what he says. It’s the ingestion and then the gestation. You’ve got to know the character. You’ve got to believe in him. You’ve got to feel that he is alive, and then, of course, you will have to do a certain amount of picking and choosing among the possibilities of his action, so that his actions fit the character which you believe in. After that, the business of putting him down on paper is mechanical.”
Do you know your character? Really know her? Are you following her along, picking up her lines, noticing her actions that are only her?
As I have ‘driven’ along with Winston in this 1972 motor home, I am learning lots about her. And sometimes I’m surprised.
For example, I had no idea Winston wants to be an Olympic swimmer. But her goal works perfectly with the tragic, historical event that pops up in my book.
But mostly, I’m just enjoying this girl. I think she’s funny, gutsy, and she may have a very cute boyfriend by the end of this trip.
How’s the writing going for YOU?
Are you working hard?
This morning I got a little done, but not enough.
Have you been thinking of your secret goal? Are you working toward that, too?
Keep in mind your best written stuff so you will know what to read when we get together on April 8.
And happy marathoning.