Tag Archives: Writing and Illustrating for Young Readers

Three Things Thursday

Cheryl:

It’s been a long time since I have  attempted any writing exercises, so this past week I tried writing a “six word story.” Here are a few of my attempts:
“Sorry, no discount on child-sized coffins.”
Home from fighting, not from war.
Like a turtle, she sheltered herself.
They’re harder than you might imagine. I’ve found that the most difficult thing is that each can be interpreted in so many different ways. I feel I’m not effectively translating the story in my head to that of you, the reader. And after all, that transfer is what good writing is all about, right?
Try it! Post your results in the comments, I’d love to see what others came up with.

 

 

 

Brenda:

Trying to think of an idea for today’s blog, I looked at the oldest item in my “To Read” file — mostly old copies of Writers Digest Online saved for later inspiration. My oldest (which SHOULD have been a journal entry) included a note from Staci, real estate agent and friend, trying to sell my condo so I could move back to SLC. The memories it brought back made me laugh — besides, now it’s June!
Dec 12, 2009
Staci: I would like to show your home please at 10 am Tuesday . . . Let me know if this is ok. . . . Thanks!
Brenda: Tuesday would be fine EXCEPT. . . (then I listed details like):
. . . in my 4th day of frozen pipes — absolutely NO water
. . . unable to do laundry
. . . dishes (hidden in dishwasher — mostly eating out)
. . . run to the club house to use the bathroom
. . . signed up for a seven-day trial at a fitness place so I can take a shower
. . . cleaning lady scheduled Monday
. . . if water’s still frozen, I’ll tell her to wait
. . . guy from (condo) Management came tonight (thanks to neighbor)
. . . put a space heater up in garage ceiling where pipes are
. . . last time, I think it took a couple days to thaw out after space heater installed
. . . later, they added more insulation
. . . extreme cold this week: it evidently isn’t enough
. . . call me late tomorrow — I’ll possibly know more
. . . this would NOT be a good “selling point”
You MUST have similar “nightmare” memories? What are they? How could you put them into your novel? How would your characters react? Will it be an angst-ridden scene in your book, or will it be comic? Any one? AnnDee?

 

Me:

Change is afoot at Writing and Illustrating for Young Readers (www.wifyr.com). An announcement about Things To Come will occur on the last day of the conference. I’m overwhelmed. No, wait! I’m excited about what we’ll soon be offering with this conference to help people be better writers. And get published!

Shhh! Don’t say you heard it here! I’m letting the cat out of the bag a little early.

🙂

 

PS Yahoo for cliches!

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Dean Hughes Teaching at WIFYR

and here’s an interview with him! BTW, I think he’s written a million books. AND had them published. Woot woot Dean!

 

How did you begin writing?

I’ve always written. At four I started scribbling on paper and telling my mom to read my “story.” (Too bad that I didn’t know all my letters.) She would pretend to be read what I it back to me, and I would say, “That’s not what I wrote.” (In case you’re wondering about POV on that story, I must admit, I don’t remember the whole thing. Mom told me about it later.)

I wrote a play in fourth grade, became a devoted reader, and by junior high was telling people I was going to be a writer when I grew up. In high school I had an amazing creative writing teacher who taught me the basics of fiction writing, and I got serious about trying to publish. I wrote a novel the year I graduated from high school (rejected), another in college (rejected), another when I first began my career as a professor (rejected), and then a fourth, which was intended for young readers. That one sold. By then I was thirty-five.

 

The Earth’s under attack, you go to the bookstore for one book to take with you during escape. Go!

I’m afraid I would stand in that bookstore, catatonic. The attackers would find me and shoot me down. I could never choose one book. I guess I’d take my Kindle, with a small library of recent reads, but that would be very satisfying. I’ve been reading books all my life and I’d miss hundreds of them. For one thing, I love many genres—fiction, history, non-fiction on all sorts of subjects, etc.—and I don’t even know which category is my favorite.

So who started this “favorite” thing anyway? When I used to visit schools, kids would ask me what my favorite color was, and I would say, “Blue,” because I’d been saying that for a long time. But then I realized, I had only chosen blue under duress. I was supposed to like one color more than all others. Does that actually make sense? I want the whole rainbow and chartreuse, mauve and ordinary old tan besides. I like colors; that’s what I like. I can’t choose one color, and I can’t choose one book.

 

When you’re not laboring over the keyboard, what would we find you doing?

I read a lot, of course. I love movies and my wife and I go off to afternoon films, when the prices are lower and the theaters are empty. (There are some good things about getting old.) I keep trying to learn to fly fish. I’m getting a little better at it. I live ten minutes from the Provo River, so I keep telling myself that this year I’ll fish a lot more. I just had back surgery, so this year I can’t ski, but I still plan to return to hills next season (I live about fifteen minutes from Deer Valley ski resort). I play golf (have a course in my back yard); I watch BBC series on Netflix; I teach an adult class at my church. I also clean house. Kathy and I have always divided that sort of work, and sometimes scrubbing a toilet actually seems more appealing to me than looking at more words on my computer screen. For Kathy and me, our big thing is travel. Lately we’ve made trips to Italy, England, and we took a cruise to South America and the Antarctic. We have some other trips in mind. We also do lots of family stuff. We try to attend events our grandchildren get involved in, and we gather once a month if we can to celebrate the birthdays in the family.

 

What’s the last book that made you do a spit take? Or at least laugh out loud?

Does it tell you anything that I had to Google “spit-take” to find out what it is? (Actually, I’m impressed that I found my answer that way.) Now I’m trying to think what has made me laugh lately. I obviously read too much serious stuff. I don’t remember spitting all over the place, but I did reread Catch 22 lately. The book makes me laugh and cringe and worry. It seems more real than the first time I read it.

 

Can you give us a typical day in the life of?

I’m known for being “prolific.” That’s really a back-handed way of saying that I’m a drudge who really “cranks them out.” I hate that image, but I will say, I have worked hard all my life. I’ve published 102 books in about thirty-five years. For most of my career I tried to be at my computer by 8:00 a.m., and I stayed there most of the day. But I have a good process, and I think I write efficiently, so I do find time for other things. And lately, I’ve begun to change. I’m afraid my new image may be that of the self-indulging artiste. I get up later than I used to, exercise before I write, and usually get to my computer about nine-ish, or some days, not at all. I’ve been writing a history lately—not just historical fiction, but actual history—and that gives me the excuse to read all day, sometimes for weeks. And since my wife and I are traveling more these days, we escape work altogether and run off to see the world, or we drive to California to see grandchildren. The fact is, I have no real schedule anymore, and I rather like that.

 

You’re at Carol’s dance party. Are you dancing in the middle? Head bobbing? Fly on the wall? Or do you apologize later because you got a sudden case of food poisoning?

All of these questions call attention to my age. I went from the foxtrot and jitterbug to the twist, the pony, the mashed potatoes—all that stuff. And then it all got away from me. I tried to jump around for a few years, but I was always amazed at what people called fast dancing, which was a little too “free-style” to get my head around. Somewhere in time I gave up most dancing, but when Kathy and are at a party or dinner dance, we usually revert to our old high school foxtrot, and we throw in a jitterbug a couple of times. But no head bobbing—absolutely no head bobbing.

 

What’s the best advice you’ve been given concerning writing?

Spend 20 percent of your time composing and 80 percent revising. And when you publish, enjoy the moment, but don’t conclude that you’re now a big deal.

 

What’s the number one writing tip you can give aspiring authors?

Don’t ask too much of writing. Getting published rarely brings you fame and fortune, and you won’t walk around in a state of euphoric bliss from that day on. Write because you like to write. If benefits follow, enjoy them, but don’t focus on the benefits and forget the hard work of working until you “get it right.”

 

And last but not least: you’re a teenager again, what song is playing in the background, or in your head, during your first kiss?

“You Ain’t Nothin’ But a Hound dog”?  Well, no, but my first kiss was in the Elvis era.

When I met Kathy, she had a cute little red dress that just knocked my eyes out.  When I would see her in it, I would sing “Hey There, Little Red Riding Hood (by Sam the Sham and the Pharaohs).  That became “our song.”  But let’s see; for a romantic song I’ll take “The Nearness of You,” or maybe, “Moonlight Becomes You.”  I know.  I know.  Those are really old songs.  But hey, I keep telling you, I’m an old guy.

 
And last but not least: you’re a teenager again, what song is playing in the background, or in your head, during your first kiss?
“You Ain’t Nothin’ But a Hound dog”? Well, no, but my first kiss was in the Elvis era. When I met Kathy, she had a cute little red dress that just knocked my eyes out. When I would see her in it, I would sing “Hey There, Little Red Riding Hood (by Sam the Sham and the Pharaohs). That became “our song.” But let’s see; for a romantic song I’ll take “The Nearness of You,” or maybe, “Moonlight Becomes You.” I know. I know. Those are really old songs. But hey, I keep telling you, I’m an old guy.

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Lisa Mangum

Today we welcome Lisa Mangum to our blog. She will be leading our first ever, “Writing the Middle Grade or Young Adult LDS Novel” workshop. Editor, author, teacher, is there anything Lisa can’t do?

 

How did you begin writing? 

I started reading at a young age, and my mom was a writer, so I grew up knowing that writing was a “job you could do.” I had always loved writing, but I didn’t turn to it seriously until about 2006, when I joined a writer’s group and it rekindled my passion. When I got the idea for THE HOURGLASS DOOR, it was all I could do to keep up with the story that wanted to be told. I’ve never looked back since.

The Earth’s under attack, you go to the bookstore for one book to take with you during escape. Go!

The practical part of me says I should get a book with survival/first-aid tips, but the passionate part of me grabs HITCHHIKER’S GUIDE TO THE GALAXY, for the following reasons: (1) it’s small and would fit in my pocket; (2) it’s a stand-alone,* so no cliffhanger ending; (3) it’s funny and would remind me not to panic during an invasion of Earth; (4) it’s at the beginning of the alphabet, so it would probably be the first one I saw when I ran into the bookstore.

*yes, I know there are more books in the series, but the first one is the best.

When you’re not laboring over the keyboard, what would we find you doing?

Though I am an editor by day and a writer by night, I am a reader–always. So you’d probably find me with a book in my hands. If not that, I always enjoy a good jigsaw puzzle, going to the movies, or playing a board game.

What’s the last book that made you do a spit take? Or at least laugh out loud?

The last book that gave me that jaw-dropping moment (though not of laughter; sorry, I haven’t been reading very many funny books lately) was DAYS OF BLOOD AND STARLIGHT by Laini Taylor. The way she lead me along that plot to the unbelievable and heartbreaking conclusion was awe-inspiring.

Can you give us a typical day in the life of?

Up around 7:30 am, take Trax to work (I read on the train), at work I check my email/voice mail, finish up any projects that I left unfinished from the previous day, meetings, editing, lunch (where I read manuscripts), editing, meetings, more emails. I head home around 5:00 for dinner with my husband. We watch a show or two on TV, and then I work on my writing until bedtime (around 11:00). (Lather. Rinse. Repeat.) Weekends are for housework, errands, movies, and Doctor Who marathons.

You’re at Carol’s dance party. Are you dancing in the middle? Head bobbing? Fly on the wall? Or do you apologize later because you got a sudden case of food poisoning?

Wallflower, all the way.

What’s the best advice you’ve been given concerning writing?

“It’s okay to write your story out of order.” I used to believe that you had to start with page 1, chapter 1, word 1 and write straight through to the end. But that was frustrating because if I got stuck, I just stopped. Or if I felt like writing the kissing scene, but I was stuck in an action part of the story, I’d rush through important information just to get to the other part. Once I realized it was okay to write out of order, then, when I got stuck, I’d skip to another part of the story. When I wanted to write the kissing scene, I’d write the kissing scene–even if that was the last chapter of the book. It was a liberating revelation to me as a writer.

And last but not least: you’re a teenager again, what song is playing in the background, or in your head, during your first kiss?

Considering my first kiss as a teenager was during rehearsals for ONCE UPON A MATTRESS, there is an echo of the song “I’m Shy” rattling around that memory, but when I think about my first real kiss with a boy I liked, I always think of “Bravado” by Rush.

 

For more information, or to register, please go to: http://www.wifyr.com

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Back from Vermont College

It’s that time of year when students are coming back from Vermont College where one can attend the low residency and walk away (after lots of writing and reading, a few dances, plus invaluable lectures) with an MFA. Ten-ish days learning at the feet of greats. Here’s what Colin Murcray says about his experience.

In late 2014, after finishing a draft of my fourth novel, I found myself floundering in a well of self-doubt and fear.  My draft had turned out really rough, and I couldn’t escape the feeling that my writing was getting worse, not better.  I know I’m not the first writer to have such feelings, nor will I be the last.  But what I didn’t know at the time was how normal they were, nor did I have any idea on how to move past them.  So I didn’t write.  And the more I didn’t write, the more I panicked.
Then I received a promotional email about the writing for children and young adults program at the Vermont College of Fine Arts.  I’ve looked at that program numerous times, but not until I hit rock bottom did I consider actually applying.  Fast forward to January 8th, 2015, when I found myself on a plane in route to Montpelier, Vermont and my first semester residency.
It had been twenty years since I had been a college student, and it was with no small amount of apprehension that I walked into my sparse dorm room and plopped down my belongings.  I was far from home and family,  on a campus that seemed frozen in both time and ice, and surrounded by strangers. But before long, those strangers dragged my story from me, nodding with understanding and sympathy and offering words of encouragement.
As I attended lecture after lecture on the craft of writing, listened to an inspiring speech by the legendary Katherine Paterson, and workshopped pieces with a dozen other writers, I felt a flicker of hope.  By the end of the residency, I was ready to get back to work, armed with two dozen new friends and a confidence that my work was much better than I’d thought.  More importantly, I had the knowledge and support group to help me make it even better.
This experience has led me to understand the importance of community.  While not all of us can afford the time and costs to attend a two year writing program like VCFA, we can take part in the next best thing.  Conferences and workshops offering a less intensive, but immensely valuable alternative for recharging our batteries.  We can also find our support group among the people who attend them.  My two closest writing buds I met through conferences.  The point is, we are better writers when we rub elbows with other writers.  Sitting in our home offices, just us and our keyboards locked away from the rest of the world, may seem like a romantic writing life.  The truth is, it’s darn lonely, and the only voice we often hear is the one telling us we are no good, that we are wasting our time.

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